Peter Greene’s recent blog post “Meaning and Standardized Writing” is spot on. As Greene writes, the problem with a great deal of student writing is that it’s motivated by the need to complete the assignment and be graded, rather than by addressing the problem that all good writing seeks to solve, which Greene conceptualizes as: “How can I communicate what I want to communicate in a meaningful way?”
Greene then juxtaposes good writing with standardized-test writing:
The standardized testing approach to writing, both in “writing” assessments and in the open-ended response format now creeping into other tests, gets virtually nothing right at all. Nothing. The goal is itself a meager one– let’s just measure student technical skill– and even that is not measured particularly well. Test writing is the opposite of good writing. The problem the student is trying to solve is not “How do I create a meaningful expression” but “How do I provide what the test scorer wants to see” or “What words can I use to fill up this space.”
Tonight, my 4th grader brought me her ELA (English Language Arts) homework to review. Here’s the prompt (or, as Greene rightly notes, the “stimulus”):
First of all, I’m not sure why it’s the “SEEC” method rather than the SEEEEECC method, but hey, what do I know? Now I am a lawyer, and the SEEC (“SEEEEECC”) method reminds me very much of the law school writing formula, IRAC (Issue, Rule, Analysis, Conclusion). I don’t think that rules of thumb for structuring writing are terrible for writers embarking on their first efforts at a new kind of analytical or expository task, but writing teachers must ensure that their students understand that writing rules are made to be broken, and that slavish adherence to writing rules will lead to kludgy, painful-to-read prose.
The problems with standardized writing assessments, however, are two-fold. First, many writers never make that leap away from the SEEC or IRAC rules, so that their writing is so rule-oriented that it’s boring, inflexible, and painful to read (trust me, I’ve read my share of painful legal briefs, although I’ve also read some really outstanding — and engaging — legal prose). Second, the rubrics (or scoring matrices) reward strict adherence to the rule, which again reinforces the problematic idea that good writing is writing that adheres to rules.
Here’s my fourth grader’s response to the SEEC-based writing prompt (used with her permission):
It’s fine and it’s technically correct, but Greene’s point shines through: there is no question that this paragraph is not a paragraph in which my 10 year old is communicating what she wants to communicate in a meaningful way. Rather, she is — as Greene predicts — writing to answer the wrong questions. Her writing is dull and lifeless because she is asking herself “what can I write to satisfy this assignment” or “how can I fill up this piece of paper” or “what can I use to fill in five paragraph-sized blanks,” and, as Greene notes, “these are all the wrong question to start with.”
On the other hand, there has been a lot of “authentic” writing — i.e., writing that answers the “correct” question of how can I communicate what I want to communicate — going on in my house recently (and I don’t mean my blogging, although of course that’s exactly what my blogging is — my attempt to communicate to the world my point of view regarding the “reforms” to our education system).
The weekend before Thanksgiving, my daughters started playing “The Letter Game.” My oldest daughter started writing letters to my younger daughter. My younger daughter kept bringing them to me to help her read them, but what I didn’t realize at the time (I might have been busy blogging) was that my kindergartener was writing decipherable notes (full of invented spellings, of course) back in response to her sister. For about two hours, the two of them were communicating through the written word. As they were wrapping up their game, I realized what had been going on, and was amazed by the little one’s notes. (Unfortunately, the big one managed to throw them away while she was on a cleanup frenzy the following day, so I can’t show them to you here.)
To me, that was an extraordinary breakthrough. It was my little one’s first authentic experience with using written language to express what she wanted to communicate. Over the long weekend, a lot more authentic writing happened in my house. The girls (my daughters and their close friend) began writing “newspapers” documenting happenings in the imaginary world they’d conjured up. Here are a few examples:
And my little one decided to start “blogging.” Here are some of her “Blog Posts”:
The newspapers and the “blog posts” are writing that these kids generated for themselves, to communicate what they want to say in a meaningful way.
Do you see the difference between writing that is authentic, or, as Greene says, between writing that communicates what the author wants to communicate in a meaningful way and writing that attempts to do nothing more than fill the page, follow a formula, or give the exam-reader what the exam-reader is looking to find? A writing teacher who knows his students (like Greene), is best situated to design writing assignments that will facilitate an environment in which students learn to effectively communicate what they want to communicate in a meaningful way. But when the stimuli-drafters are far removed from the classroom, the students, and their teachers, and when the stimuli ask students to react formulaically to the prompt, we suck the joy out of writing, out of school, and out of teaching.
I don’t blame my daughter’s ELA teacher. I’ve spoken with her in detail, and I know how much she tries to slip authentic and joyful assignments between the inevitable test prep. I know how much more she wants for the kids, but how hamstrung she is by the district’s (and PARCC’s) demands. But to me, the juxtaposition of the joyful, authentic writing happening without adult intervention in my house against the dry and lifeless writing my daughter did for school tonight illustrate better than anything I can write exactly what’s wrong with our high-stakes test driven culture, and the all-business ELA Common Core State Standards that accompany that test-driven, automaton-producing educational ideal.
I know detractors might argue that these are two different types of writing: analytical writing versus creative writing. But that’s exactly my — and I believe Greene’s — point. When writing is authentic and meaningful, expository and analytical writing is both intellectually meaningful and creative (check out your average New Yorker article). But when formulas and mnemonics rule, writing becomes about spitting words out onto paper, and not about contributing meaning to our human endeavor on this lonely little planet. Why on earth are we allowing test-driven school culture (especially one that attempts to standardize and test writing, of all things) to squelch the meaning out of our kids’ words?
parentingthecore 
I am a teaching artist in northern New Jersey and we use theater-based strategies to work with children to make their language arts learning more meaningful. What you’ve described here is exactly what we are up against: children who “hate” to write before they’ve even felt what it is to write. We have file folders full of incredible, self-generated, meaningful pieces of writing that students do as a culminating activity at the end of each of our workshops. Watching them as their pencils fly along, totally in flow because they have something to write about, instead of drudging along trying to fill up space and adhere to a formula they barely understand, is indescribably rewarding. It is a crime to crush this natural desire students have to express themselves, an absolute crime.
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